Rig shows have become a huge part of factual television. From Educating… to First Dates the process of installing a rig into a location and keeping most of the filming team out of the room with subjects makes for a specific type of programme and a level of choice in material previously unavailable. So what it is like directing a rig show and how is it different to other types of factual filmmaking? What skills do you need as a director to successfully lead a team operating in different spaces? Sophie Jones, Paddy Wivell, John Douglas, Stu Bernard talk about their experiences of using rigs to make primetime factual TV.