12-13 May 2021
London Olympia

The Media Production & technology Show

Industry News


Industry News

  • Post-production uncovered: Milk VFX on Rebecca (Netflix)

    18 Nov 2020 Jake Bickerton - Broadcast
    Milk recently completed production on the VFX for Netflix’ remake of Daphne Du Maurier classic Rebecca, directed by Ben Wheatley and starring Armie Hammer, Lily James and Kristin Scott-Thomas. Rebecca ...
  • Rise, the award-winning advocacy group for women in the broadcast technology sector, is pleased to announce the winners for this year’s Rise Awards, held as part of the DPP Tech Leaders’ Briefing 2020 ...
  • Clear Cut invests six-figure sum in EditShare storage

    18 Nov 2020 Jake Bickerton - Broadcast
    Clear Cut has trebled its storage capacity through a “significant six-figure investment” in EditShare Tier 1 high-performance edit storage. The storage is for daily use and extends the total capacity ...
  • VFX and post-production talent agency opens

    17 Nov 2020 Jake Bickerton - Broadcast
    A freelance agency for post-production staff – The VFX and Post Talent Agency – has launched. It was set up by Harriet Donington who previously built the VFX division at Sara Putt Associates. She says ...
  • Shutterstock acquires AI service Amper Music

    17 Nov 2020 Jake Bickerton - Broadcast
    Shutterstock has acquired AI-driven music platform Amper Music. The service makes it possible for users to create and customise original music, constructed from in excess of 1m individual audio sample ...
  • Halo partners with colourist Duncan Russell

    17 Nov 2020 Jake Bickerton - Broadcast
    Halo has set up a joint venture with senior colourist Duncan Russell that will see Russell grade features and dramas at the facility. Russell is best known for his short-form work, so the agreement wi ...
  • Blackmagic releases major update to Resolve

    17 Nov 2020 Jake Bickerton - Broadcast
    Blackmagic Design has released DaVinci Resolve 17, with more than 300 new features and improvements, including HDR grading tools. The software also has redesigned primary colour controls; a new Fairli ...
  • Dneg recruits Paul Salvini as global CTO

    17 Nov 2020 Jake Bickerton - Broadcast
    VFX and animation house Dneg has recruited Paul Salvini as global chief technology officer. He will be responsible for developing a new tech vision for the company, which employs more than 7,000 emplo ...
  • Blackmagic Design explain how 26 of this year’s Emmy® Award nominees who live or were located in California were live streamed into the telecast of the 72nd Emmys using kits built around Pocket Cinema ...
  • Sport and events broadcast graphics company, Moov, has announced the appointment of Mike Phillipson to the newly created role of chief operating officer. Phillipson, former ceo at creative agency grou ...
  • Nu Boyana Film Studios opens London facility

    11 Nov 2020 Jake Bickerton - Broadcast
    Bulgarian post house Nu Boyana Film Studios has opened an office in London, with facilities including two DaVinci Resolve Studio grading suites. Ny Boyana Film Studios is owned by Nu Image, one of the ...
  • Envy launches Envy Remote app

    11 Nov 2020 Jake Bickerton - Broadcast
    Envy has launched a platform called Envy Remote that enables a hybrid approach to post-production, bringing production, on-site editing and remote editing together in one place. Envy Remote has been c ...

2021 Exhibitors Include:



  • Exhibiting and speaking at MPTS was a very worthwhile investment for Blackbird. We made a lot of valuable contacts over the 2 days at what was a busy & well organised event for the UK’s media production industry
    Adrian Lambert
  • I think MPTS is a fantastic opportunity for film, television and online to all come together, ultimately we have so much to learn. We are increasingly needing to and should be producing television & stories that are truly engaging and interactive
    James Levelle
    Adventure Filmmaker
  • Our first show & it’s been a great experience, it surpassed our expectations. We got exposure to a receptive audience which has been incredible. The show worked really well for us & would love to do it again. A well-organised, brilliant experience!
    Bethan Wilkin
  • What I like about MPTS is that it covers everything from creative to very high-end technology. The benefits of attending are simple, it's THE annual event for the screen production industry in the UK and provides the opportunity to connect with people from across the production process
    Paul de Carvalho
  • Panasonic have supported MPTS since its inception, because we wanted to support a show that both considers the constant evolution of our industry and helps deliver new opportunities for our business. We consider MPTS to be a key show for the UK as it provides a platform that focuses on the technology advancements that impact the creative industries, and that is something we want to be a part of
    Nigel Wilkes