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Work has begun on what will be Liverpool’s first purpose-built film studios. Contractors for Liverpool City Council, Morgan Sindall Construction, broke ground on the project last month, on land adjace
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With the COVID-19 pandemic adversely impacting all aspects of production in 2020, we knew we had our work cut out for us ahead of the Mercedes-Benz UCI Mountain Bike World Cup for its broadcast partne
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BBC R&D is developing a tool to enable people in different locations to watch content on BBC iPlayer together. A beta version of the software – called BBC Together – was being promoted by BBC R&D just
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Quiz Left Bank Pictures for ITV At the start of lockdown, when a potent mix of nursery closure, Zoom ineptitude and Covid confusion made life almost unbearable, Quiz was a beacon of light. It was ten
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Producers have complained for years about the challenge of locating studio space in the UK, amid record levels of film and TV production, which hit £3.62bn last year, according to the British Film Ins
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What a year it has been: death, disease and danger every time you turn on the TV – and a world-renowned creative industry in tatters, with thousands of desperate freelancers trying to survive on Jobse
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Richard Folley has been made managing director of East London post-production house Splice. He has a 20 year history in post-production, joining Splice in 2018 as commercial and post director, after p
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Hybrid animation house, Trioscope Studios, which created Netflix’s animated WWII action drama The Liberator, has partnered with Polish VFX studio, Juice, to launch joint-venture Trioscope Europe. Trio
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Access:VFX has announced that it has connected in excess of 1,000 mentors and mentees together through its e-mentoring program. The non-profit organisation, which is a coalition of VFX, animation and
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Laurie Davison has been appointed as head of TV & Film operations in Europe, the Middle East and Africa (EMEA) at YouTube. For the last seven months he’s been manager, strategic partnerships, TV & Fil
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The Lenny Henry Centre for Media Diversity at Birmingham City University has launched an extensive report looking at the diversity of those working in audio post-production roles. The report, written
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reative studio, Satore Studio, has partnered with MBS Equipment to demonstrate the power of virtual production. It’s created a demo it believes looks so real that “even a trained professional wouldn’t
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