11-12 May 2022
London Olympia

The Media Production & technology Show

Industry News


Industry News

  • Dneg recruits Paul Salvini as global CTO

    17 Nov 2020 Jake Bickerton - Broadcast
    VFX and animation house Dneg has recruited Paul Salvini as global chief technology officer. He will be responsible for developing a new tech vision for the company, which employs more than 7,000 emplo ...
  • Blackmagic Design explain how 26 of this year’s Emmy® Award nominees who live or were located in California were live streamed into the telecast of the 72nd Emmys using kits built around Pocket Cinema ...
  • Sport and events broadcast graphics company, Moov, has announced the appointment of Mike Phillipson to the newly created role of chief operating officer. Phillipson, former ceo at creative agency grou ...
  • Nu Boyana Film Studios opens London facility

    11 Nov 2020 Jake Bickerton - Broadcast
    Bulgarian post house Nu Boyana Film Studios has opened an office in London, with facilities including two DaVinci Resolve Studio grading suites. Ny Boyana Film Studios is owned by Nu Image, one of the ...
  • Envy launches Envy Remote app

    11 Nov 2020 Jake Bickerton - Broadcast
    Envy has launched a platform called Envy Remote that enables a hybrid approach to post-production, bringing production, on-site editing and remote editing together in one place. Envy Remote has been c ...
  • Framestore acquires Company 3 / Method

    11 Nov 2020 Jake Bickerton - Broadcast Sport
    Framestore has purchased global post-production and VFX brands Company 3 / Method (C3M) for an undisclosed figure, in partnership with financiers Aleph Capital and Crestview Partners. Framestore is HQ ...
  • Dagenham Studios secures new backer

    11 Nov 2020 Broadcast
    The long-gestating film and TV studio complex in Dagenham, East London has found a new backer in Hackman Capital Partners (HCP).  The Los Angeles-based real estate firm signed a deal to build the site ...
  • Post-production uncovered: Stardust (Cinema)

    30 Oct 2020 Max Miller - Broadcast
    Twickenham Studios have completed the all-important sound mix for David Bowie biopic, Stardust. Directed by Gabriel Range (I am Slave, Death of a President), it was developed from a screenplay written ...
  • ATG Danmon has completed work on a 4K television production and live streaming facility at Lafayette London events centre.  The system allows for studio-style recording as well as live relay of stage ...
  • Live production company Mobile TV Group has launched a third ‘Flex’ OB truck. 47 Flex, which joins 45 and 46 Flex, adds to the business’ 30+ OB truck fleet. It features Calrec’s Artemis digital audio ...
  • Gravity Media bolsters business development team

    29 Oct 2020 Jake Bickerton - Broadcast
    Live production specialist Gravity Media has expanded its UK business development team with the appointment of Nick Bender, Vanessa Cooper and Laura Wignall. Bender joins from post house Evolutions, w ...
  • The Association of Motion Picture Sound (AMPS) has teamed up with The Cinema Audio Society (CAS) and the Motion Picture Sound Editors (MPSE) to launch an online petition for a ‘Sound Credit’ initiativ ...

Exhibitors Include:



  • Exhibiting and speaking at MPTS was a very worthwhile investment for Blackbird. We made a lot of valuable contacts over the 2 days at what was a busy & well organised event for the UK’s media production industry
    Adrian Lambert
  • I think MPTS is a fantastic opportunity for film, television and online to all come together, ultimately we have so much to learn. We are increasingly needing to and should be producing television & stories that are truly engaging and interactive
    James Levelle
    Adventure Filmmaker
  • Our first show & it’s been a great experience, it surpassed our expectations. We got exposure to a receptive audience which has been incredible. The show worked really well for us & would love to do it again. A well-organised, brilliant experience!
    Bethan Wilkin
  • What I like about MPTS is that it covers everything from creative to very high-end technology. The benefits of attending are simple, it's THE annual event for the screen production industry in the UK and provides the opportunity to connect with people from across the production process
    Paul de Carvalho
  • Panasonic have supported MPTS since its inception, because we wanted to support a show that both considers the constant evolution of our industry and helps deliver new opportunities for our business. We consider MPTS to be a key show for the UK as it provides a platform that focuses on the technology advancements that impact the creative industries, and that is something we want to be a part of
    Nigel Wilkes